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2015-06-21 22:01:50 -04:00

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Sound.js

"Sound.js" is micro-library that lets you load, play and generate sound effects and music for games and interactive applications. It's very small: less than 800 lines of code and no dependencies. Click here to try an interactive demo.

At its heart it's composed of just two, short, independent functions: makeSound and soundEffect. The makeSound function helps you load and play sound files (mp3, wav, ogg, and webm). The soundEffect function helps you generate a wide range of sound and music effects from pure code. These two functions are completely modular and free of dependencies, so you can copy and paste whichever parts of them you need into your own projects. In fact, you can create all the sound an music for your project in less than 150 lines of code by just using the soundEffect function on its own.

If you need it, there's also a sounds object with a helpful load method that makes it easy to load and access sound files. You'll find all the code in the sound.js file. Take a look at the index.html file for a working example of all the features. All this code is completely unlicensed and free for you to use however you like.

Installation

Just link to the sound.js file with a <script> tag:

<script src="sound.js"></script>

Or just copy/paste whichever functions you need from the sound.js file into your own project code.

Loading sound files

The best way to load sound files is to use the sounds object's load method. List the each sound file's path and name in the sound.load method's array. Then assign a callback function to sounds.whenLoaded.

//Load the sounds
sounds.load([
  "sounds/shoot.wav", 
  "sounds/music.wav",
  "sounds/bounce.mp3"
]);

//Assign the callback function that should run
//when the sounds have loaded
sounds.whenLoaded = setup;

After the sounds have loaded, the setup function will run. Use the setup function to initialize your sounds.

function setup() {
  //Initialize sounds here
}

Of course, you can give this function any name you like, it doesn't have to be called setup.

Initializing loaded sounds

After a sound file is loaded using the sounds.load method, you can access it as a property of the sounds object like this:

sounds["sounds/music.wav"]

Create variable references to all the sounds you want to use so that they're easier to work with:

var shoot = sounds["sounds/shoot.wav"],
    music = sounds["sounds/music.wav"],
    bounce = sounds["sounds/bounce.mp3"];

You now have three sound objects, shoot, music, and bounce that you can play and control.

Playing and controlling loaded sounds

You can play, pause, loop and restart sounds as well as set their volume and speaker pan settings. You can also fade sounds in or out. Here's how:

  //Play the sound
  music.play();

  //Make the sound loop
  music.loop = true;

  //Set the volume 
  //1 is full volume, 2 is double volume, 0.5 is half volume, etc.
  music.volume = 0.7;  

  //Pause the sound. To resume paused sounds call `play` again
  music.pause();

  //Play from a specific time (in seconds)
  music.playFrom(10)

  //Set the pan
  //-1 is the full left speaker, 0 is the middle, 1 is the full right
  //speaker
  music.pan = -0.8;

  //Fade a sound out, over 3 seconds
  music.fadeOut(3);

  //Fade a sound in, over 2 seconds
  music.fadeIn(2)

  //Fade a sound to a volume level of `0.3` over 1 second
  music.fade(0.3, 1);

Change the playback rate

Use playbackRate to change the speed at which the sound plays back. A value of 0.5 will make the sound play at half speed. A value of 2 will make it play at double speed. 1 is normal speed.

music.playbackRate = 0.5;

Changing a sound's playback rate doesn't affect its pitch.

Add echo

Use the setEcho method to set the sound's optional echo effect. setEcho takes three arguments: delay, feedback and filter.

bounce.setEcho(0.2, 0.3, 1000);

delay and feedback are times, in seconds. delaydetermines how much time will pass before the sound repeats. feedback determines the how strong each repetition is - the higher the feedback value, the longer the echo will last. filter is an optional value in Hertz that filters out frequencies above that value. It changes the echo's tone with each repetition for a more organic effect. Set filter to 0 to disable it. If you ever need to switch off a sound's echo effect, set the sound's echo property to false

bounce.echo = false;

Add reverb

Set a sound's reverb effect using setReverb. setReverb takes 3 arguments: duration, decay, and reverse.

music.setReverb(2, 2, false);

duration and decay are times, in seconds, that determine how pronounced the reverb effect is. Give them large values to simulate a large space, and small values to simulate a small space. The third argument reverse is a Boolean (a true/false value) that determines whether the reverb effect should be reversed. Set it to false for normal reverb, or to true for a spooky reverse reverb. Set the sound's reverb property to false if you need to disable the reverb effect later.

This is how work with sound files. But "Sound for Games" also lets you generate your own music and sound effects from scratch.

Generating sound effects and music

Use the versatile soundEffect function to create an almost limitless variety of sound effects using thirteen low-level parameters. Here's a model for using it, including a description of what each parameter does.

soundEffect(
  frequencyValue,      //The sound's fequency pitch in Hertz
  attack,              //The time, in seconds, to fade the sound in
  decay,               //The time, in seconds, to fade the sound out
  type,                //waveform type: "sine", "triangle", "square", "sawtooth"
  volumeValue,         //The sound's maximum volume
  panValue,            //The speaker pan. left: -1, middle: 0, right: 1
  wait,                //The time, in seconds, to wait before playing the sound
  pitchBendAmount,     //The number of Hz to bend the sound's pitch down
  reverse,             //If `reverse` is true the pitch will bend up
  randomValue,         //A range, in Hz, within which to randomize the pitch
  dissonance,          //A value in Hz. Creates 2 dissonant frequencies above and below the target pitch
  echo,                //An array: [delayTimeInSeconds, feedbackTimeInSeconds, filterValueInHz]
  reverb               //An array: [durationInSeconds, decayRateInSeconds, reverse]
);

(Note: reverb for sound effects is currently experimental due to browser quirks. In the future it might stabilize but, until then use it at your peril!) The strategy for using the soundEffect function is to tinker with all these parameters and come up with your own custom library of sound effects for games. Think of it as a big sound board with thirteen colourful flashing dials you can play with. And think of yourself as a mad scientist and that thirteen is your lucky number!

###Shoot sound

Here's an example of how to use the soundEffect function to create a typical laser shoot sound.

function shootSound() {
  soundEffect(
    1046.5,           //frequency
    0,                //attack
    0.3,              //decay
    "sawtooth",       //waveform
    1,                //Volume
    -0.8,             //pan
    0,                //wait before playing
    1200,             //pitch bend amount
    false,            //reverse bend
    0,                //random pitch range
    25,               //dissonance
    [0.2, 0.2, 2000], //echo array: [delay, feedback, filter]
    undefined         //reverb array: [duration, decay, reverse?]
  );
}

The "sawtooth" waveform setting gives the sound a biting harshness. The pitchBendAmount is 1200, which means the sound's pitch drops 1200 Hz. from start to finish. That makes it sound like every laser from every science fiction movie you've ever seen. The dissonance value of 25 means that two extra overtones are added to the sound, 25 Hz above and below the main frequency. Those extra overtones add an edgy complexity to the tone.

Because the soundEffect function is wrapped in a custom shootSound function, you can play the effect at any time in your application code like this:

shootSound();

It will play immediately.

###Jump sound

Let's look at another example. Here's a jumpSound function that produces a typical platform game character jumping sound.

function jumpSound() {
  soundEffect(
    523.25,       //frequency
    0.05,         //attack
    0.2,          //decay
    "sine",       //waveform
    3,            //volume
    0.8,          //pan
    0,            //wait before playing
    600,          //pitch bend amount
    true,         //reverse
    100,          //random pitch range
    0,            //dissonance
    undefined,    //echo array: [delay, feedback, filter]
    undefined     //reverb array: [duration, decay, reverse?]
  );
}

The jumpSound has an attack value of 0.05, which means there's a very quick fade-in to the sound. It's so quick that you can't really hear it, but it softens the start of sound a bit. The reverse value is true which means that the pitch bends up instead down. (This makes sense because jumping characters jump upwards.) The randomValue is 100. That means the pitch will randomize within a range 100 Hz above and below the target frequency, so that the sound's pitch is slightly different every time. This adds organic interest to the sound and makes the game world feel alive.

###Explosion sound

You can create a radically different explosionSound effect just by tweaking these same parameters.

function explosionSound() {
  soundEffect(
    16,          //frequency
    0,           //attack
    1,           //decay
    "sawtooth",  //waveform
    1,           //volume
    0,           //pan
    0,           //wait before playing
    0,           //pitch bend amount
    false,       //reverse
    0,           //random pitch range
    50,          //dissonance
    undefined,   //echo array: [delay, feedback, filter]
    undefined    //reverb array: [duration, decay, reverse?]
  );
}

This creates a low frequency rumble. The starting point for the explosion sound is to set the frequency value extremely low: 16 Hz. It also has a harsh "sawtooth" waveform. But what makes it really work is the dissonance value of 50. This adds two overtones above and below the target frequency; they interfere with each other and the main sound.

###Making music

But it's not just for sound effects! You can use the soundEffect function to create musical notes, and play them at set intervals. Here's a function called bonusSound which plays three notes (D, A and high D) in a rising pitch sequence. It's typical of the kind of musical motif you might hear when a game character scores some bonus points, like picking up stars or coins. (When you hear this sound you might have a flashback to 1985!)

function bonusSound() {
  //D
  soundEffect(587.33, 0, 0.2, "square", 1, 0, 0);
  //A
  soundEffect(880, 0, 0.2, "square", 1, 0, 0.1);
  //High D
  soundEffect(1174.66, 0, 0.3, "square", 1, 0, 0.2);
}

The key to making it work is the last argument: the wait value. The first sound's wait value is 0, which means the sound will play immediately. The second sound's wait value is 0.1, which means it will play after a delay of 100 milliseconds. The last sound's wait value is 0.2, which will make it play in 200 milliseconds. This means that all three notes play in sequence with a 100 millisecond gap between them.

With just a little more work you could use the wait parameter to build a simple music sequencer, and build your own mini-library of musical sound effects just for playing notes. If you need it, here's how to convert frequencies in Hertz to real note values:

Note values of frequencies in Hertz

Have fun!